Park Chan-wook’s “The Handmaiden” (2016), While casual viewers might get caught up in the labyrinthine plot or the “erotic thriller” label, for me, this film is a study in precision a “painterly” experience where every frame feels intentional. It is… Read More »The Handmaiden (2016) – Cinematography Analysis
When I first watched Barry Lyndon, I wasn’t just looking at a movie; I was looking at a series of 18th-century oil paintings that somehow learned to move. It’s a film that demands patience, but the payoff is a visual education… Read More »Barry Lyndon (1975) – Cinematography Analysis
Jim Sheridan’s In the Name of the Father (1993) drama isn’t just a brutal recounting of the Guildford Four scandal; it’s a blueprint for how cinematography and color can do the heavy lifting in storytelling. We all know the stories… Read More »In the Name of the Father (1993) – Cinematography Analysis
To call The Bridge on the River Kwai a “war movie” feels like a disservice. It’s a psychological thriller disguised as an epic. While the backdrop is the brutal reality of a World War II Japanese POW camp, the real battlefield is… Read More »The Bridge on the River Kwai (1957) – Cinematography Analysis
As a filmmaker and full-time colorist, I spend most of my waking hours staring at screens, tweaking curves, and obsessing over how an image feels rather than just how it looks. Usually, I’m focused on making things look polished. But every so… Read More »Memories of Murder (2003) – Cinematography Analysis
Watching Ben-Hur forces me to shift gears completely. It requires a different mindset, one that appreciates a time when the “look” wasn’t something you dialed in later—it was baked into the negative on the day, under the blazing sun. When I watch… Read More »Ben-Hur (1959) – Cinematography Analysis
I want to talk about a film that most people hear rather than see: The Sound of Music (1965). It’s easy to write this one off as just a nostalgic classic or a holiday staple, but for a filmmaker, it is a… Read More »The Sound of Music (1965) – Cinematography Analysis