Welcome back to Color Culture, your one-stop destination for color grading services. In this article, I’ll walk you through how to make a Digital Cinema Package (DCP) using DaVinci Resolve. Please note that the DCP creation option is only available… Read More »Making DCP In Davinci Resolve: Ultimate Guide
Hi, welcome back to Color Culture. In this article, we are teaching you how to import media in Baselight. Baselight is a powerful color grading tool used by many industry professionals. One of the essential tasks you need to master… Read More »How to Import Media in Baselight (Easy Guide)
In the world of color grading, a 3×3 matrix is a fundamental tool that works on the red, green, and blue (RGB) channels of an image. It multiplies the RGB color values to create transformations between different color spaces or… Read More »Understanding 3×3 Matrix In Color Grading: Davinci Resolve
Hi, welcome back, everyone! I’m Salik Waquas, the owner of Color Culture, a boutique color grading company that works with clients worldwide to create amazing visual projects. Today, we’re diving into one of the simplest yet most powerful tools in… Read More »Making a Vignette In Davinci Resolve (2 Methods)
My name is Salik Waquas, and I own a post-production color grading suite where I specialize in color grading for films and projects. As a working film colorist, I have a keen interest in cinematography and the intricate details that… Read More »The Grand Budapest Hotel Cinematography Analysis
Hi, I’m Salik Waquas, a film colorist with a passion for cinematography and visual storytelling. I’ve spent years working on various projects, exploring how the visual components of film can be manipulated to tell deeper, more emotional stories. When I… Read More »Whiplash Cinematography Analysis
I’m Salik Waquas, a working film colorist and owner of a color grading company called Color Culture. Over the years, I’ve had the opportunity to work on projects of various formats, always aiming to bring out the story that the… Read More »JOKER CINEMATOGRAPHY ANALYSIS