When The Big Short dropped in 2015, it didn’t just explain the 2008 financial crisis; it weaponized it. Adam McKay took a dry, infuriating subject and turned it into a cinematic live wire. At Color Culture, I often talk about visual grammar,… Read More »The Big Short (2015) – Cinematography Analysis
Skyfall (2012), I’m reminded that it isn’t just a James Bond movie, it’s a masterclass in visual storytelling. It was a pivot point for the franchise, trading the typical spy-flick gloss for a heavy, introspective gravitas that redefined what a blockbuster… Read More »Skyfall (2012) – Cinematography Analysis & Stills
I’ve lost count of how many times I’ve scrubbed through “The Social Network (2010)” at the Color Culture studio. Every time I do, I find something new. Most people call it a “modern classic” because of Aaron Sorkin’s dialogue, but as a… Read More »The Social Network (2010) – Cinematography Analysis & Stills
When I first heard another Batman movie was coming out, I rolled my eyes. We’ve seen the origin story, the gadgets, and the cape so many times that it felt like there was nowhere left to go. But then I… Read More »The Batman (2022) – Cinematography Analysis & Stills
The Hobbit: An Unexpected Journey (2012) had the impossible task of living up to The Lord of the Rings. It came out swinging with some incredibly bold and controversial technical gambits. While the pacing might have been a bit much (did we… Read More »The Hobbit: An Unexpected Journey (2012) – Cinematography Analysis & Stills
On April 21st, 2024, that Buster Keaton’s Sherlock Jr. officially hit its centenary. A hundred years. Let that sink in. As a colorist running Color Culture, obsessing over shadow density and LUTs, yet I often find myself looking back at 1924 wondering… Read More »Sherlock Jr. (1924) – Cinematography Analysis & Stills
Re-watching Ingmar Bergman’s Fanny and Alexander (1982) isn’t just research for me; it’s a pilgrimage.This was Bergman’s intended farewell to cinema, and he left everything on the screen. A quick tip: ignore the three-hour theatrical version. It’s fine, but if you want… Read More »Fanny and Alexander (1982) – Cinematography Analysis