I’ve been grading a lot of digital footage lately, and revisiting The Perks of Being a Wallflower was a refreshing reminder of why I still love the texture of 35mm film. It isn’t just a “coming-of-age” story; it’s a specific visual translation… Read More »The Perks of Being a Wallflower (2012) – Cinematography Analysis
Most superhero movies age like milk, but X-Men: Days of Future Past (2014) is different. Watching it again recently for Color Culture, I realized why. It isn’t just a great superhero flick; it is a masterclass in using cinematography to solve a… Read More »X-Men: Days of Future Past (2014) – Cinematography Analysis
I remember walking into the theater with zero expectations. I’d just seen Oblivion, which looked beautiful but felt sterile. But Edge of Tomorrow (2014) it had grit. It wasn’t just the clever Groundhog Day mechanics; it was the visceral, grounded way it was shot.… Read More »Edge of Tomorrow (2014) – Cinematography Analysis
Thor: Ragnarok (2017) feels less like a breakdown and more like a conversation. Taika Waititi’s 2017 entry didn’t just shift the tone of the MCU; it broke the mold entirely. At Color Culture, we often talk about how frame and… Read More »Thor: Ragnarok (2017) – Cinematography Analysis
Let’s be real for a second: people love to dunk on Avatar. We’ve all heard the “Pocahontas in space” jokes or called it a glorified tech demo. But as a filmmaker and colorist who spends my life staring at waveforms and… Read More »Avatar (2009) – Cinematography Analysis
Wim Wenders’ 1984 classic, Paris, Texas reckons with the inescapable truth that, as Confucius said, “Wherever you go, there you are.” For Travis Henderson, this isn’t philosophy; it’s a reality etched into the celluloid. The cinematography actively drives the storytelling, guiding… Read More »Paris, Texas (1984) – Cinematography Analysis
When Mathieu Kassovitz dropped La Haine in 1995, it landed like a bomb. It wasn’t just a movie; it was a snapshot of a fracture in French society that people were trying to ignore. Shot in stark black and white, it follows… Read More »La haine (1995) – Cinematography Analysis