When this movie first hit US screens in a truncated, re-ordered version, it was rightfully panned. But once Leone’s original vision was restored with its non-linear, dreamlike structure intact it ascended to its place as a cinema classic. The film’s… Read More »Once Upon a Time in America (1984) – Cinematography Analysis
Casino is an epic in the truest sense. It’s a sprawling saga set against the backdrop of 1970s and 80s Las Vegas—dazzling at first, then rapidly decaying. While often compared to Goodfellas, Casino pushes the visual language much further. Scorsese famously noted that this… Read More »Casino (1995) – Cinematography Analysis
I spend a lot of time deconstructing the visual language of cinema. It’s rarely about just making “pretty pictures”; it’s about how specific technical choices from stock selection to printer lights serve the narrative. Curtis Hanson’s L.A. Confidential (1997) is a film… Read More »L.A. Confidential (1997) – Cinematography Analysis
As a filmmaker and colorist running Color Culture, I find myself drawn to movies that don’t just tell a story, but show it with profound intention. The Sixth Sense (1999) has always resonated with me—not just for its legendary narrative twist, but for the… Read More »The Sixth Sense (1999) – Cinematography Analysis
As a professional colorist at Color Culture, I spend most of my waking hours in a dark room, staring at screens and obsessing over curves. When you look at images all day for a living, you stop seeing just the… Read More »Jurassic Park (1993) – Cinematography Analysis
Most submarine movies make the same mistake: they treat the vessel like a stage set. You get the ping of the sonar and the periscope shot, but you never really feel the weight of the water. Das Boot is the exception. It… Read More »Das Boot (1981) – Cinematography Analysis
As the founder of Color Culture, I spend most of my waking hours staring at reference monitors, tweaking curves, and obsessing over signal flows. Usually, I’m dissecting live-action footage, trying to make digital sensors look like organic memory. But when… Read More »Your Name. (2016) – Cinematography Analysis