Alright, let’s talk about “The Wrestler (2008)” this film hits differently. It’s a gut punch, sure, but visually, it’s a masterclass in stripping away the pretense and getting right to the raw, pulsating heart of a story. Darren Aronofsky’s work… Read More »The Wrestler (2008) – Cinematography Analysis
Looking at the visual language of Marriage Story isn’t just about appreciating a sad movie; it’s about studying discipline. Noah Baumbach’s 2019 film, shot by Robbie Ryan, resists the urge to be flashy. Instead, it uses a specific, rigid visual grammar to… Read More »Marriage Story (2019) – Cinematography Analysis
It takes a lot for a film’s look to genuinely break my brain. But David Lynch’s Mulholland Drive is one of those rare films. It isn’t just a “movie”; it’s a masterclass in using the image to lie to the audience. Most… Read More »Mulholland Drive (2001) – Cinematography Analysis
I live and breathe the visual language of cinema, but rarely does a blockbuster hit me quite like Guardians of the Galaxy Vol. 3. Stepping out of the IMAX marathon, having watched the trilogy back-to-back, I felt a familiar blend of… Read More »Guardians of the Galaxy Vol. 3 (2023) – Cinematography Analysis
Let’s talk E.T. the Extra-Terrestrial. It’s not just about the script; it’s about how every visual decision amplifies the emotional core. E.T. fundamentally defined the “Amblin feel.” It’s a film that resonates with anyone who’s ever felt like an outsider, and the cinematography… Read More »E.T. the Extra-Terrestrial (1982) – Cinematography Analysis
There are certain films where the craft and the narrative hit a sweet spot so perfect that you can’t tell where the script ends and the image begins. In Bruges (2008) is unequivocally one of them. Martin McDonagh’s debut feature isn’t just… Read More »In Bruges (2008) – Cinematography Analysis
I’ve been grading a lot of digital footage lately, and revisiting The Perks of Being a Wallflower was a refreshing reminder of why I still love the texture of 35mm film. It isn’t just a “coming-of-age” story; it’s a specific visual translation… Read More »The Perks of Being a Wallflower (2012) – Cinematography Analysis