Stalker (1979) is famously not an “easy” watch. It’s long, it’s agonizingly slow, and it refuses to give you a straight answer. It asks you to just sit with it and let the atmosphere wash over you. But it’s a revelation because… Read More »Stalker (1979) – Cinematography Analysis
Let’s talk District 9. For a professional colorist someone who lives and breathes the visual language of cinema diving into this film isn’t just an analysis; it’s a masterclass in texture. It’s a film that understands that visual style isn’t just… Read More »District 9 (2009) – Cinematography Analysis
Spike Jonze’s 2013 masterpiece Her shuts that part of my brain off. It isn’t just a film I admire; it’s a benchmark. It’s a testament to how visual craft can merge to create something utterly unique and profoundly human, even… Read More »Her (2013) – Cinematography Analysis
As a filmmaker and a full-time colorist running Color Culture, there are certain films that just stick with you. They don’t just tell a story; they mess with your head. Eternal Sunshine of the Spotless Mind is absolutely one of those films… Read More »Eternal Sunshine of the Spotless Mind- Cinematography Analysis