Antoine Fuqua’s Training Day (2001) is high on that list. It’s a perfect example of how cinematography can do more than just “look good”; it can actually sculpt the mood and drive the narrative with a kind of primal force. When we… Read More »Training Day (2001) – Cinematography Analysis
Elite Squad (2007) is the one that constantly resurfaces when I’m talking shop with other DPs and editors. It just hits different. It’s raw, it’s ugly, and it’s visually uncompromising a total reminder that cinematography can do so much more than… Read More »Elite Squad (2007) – Cinematography Analysis
Andrew Lau and Alan Mak’s 2002 Hong Kong crime epic, Infernal Affairs, is exactly that kind of film. It’s a masterclass in visual storytelling a lean, mean psychological thriller that trades flashy theatrics for a slow-burn emotional resonance. In the West,… Read More »Infernal Affairs (2002) – Cinematography Analysis
There are certain films where the craft and the narrative hit a sweet spot so perfect that you can’t tell where the script ends and the image begins. In Bruges (2008) is unequivocally one of them. Martin McDonagh’s debut feature isn’t just… Read More »In Bruges (2008) – Cinematography Analysis
John Huston’s The Treasure of the Sierra Madre (1948) classic isn’t just a great story about greed; it’s a masterclass in visual storytelling. Every frame, every hard shadow, and every composition works to twist the knife of paranoia. It’s one… Read More »The Treasure of the Sierra Madre (1948) – Cinematography Analysis
Sin City released in 2005, it wasn’t just another comic book adaptation; it was a line in the sand. It declared that cinema didn’t have to apologize for its source material it could just be the source material. From my vantage point,… Read More »Sin City (2005) – Cinematography Analysis
Few films kick open the door to a new decade like Guy Ritchie’s 1998 debut, Lock, Stock and Two Smoking Barrels.Looking back at a film like this isn’t just nostalgia; it’s a reminder of what raw, unbridled vision looks like when… Read More »Lock, Stock and Two Smoking Barrels (1998) – Cinematography Analysis