Today, I want to break down the visual language of a film that shouldn’t have been as good as it is: Pixar’s Toy Story 2. Released in 1999, this movie was originally slated as a cheap direct-to-video cash grab. Instead, through… Read More »Toy Story 2 (1999) – Cinematography Analysis
I look at Life of Pi (2012) and see a benchmark. Ang Lee’s adaptation of Yann Martel’s novel was famously labeled “unfilmable” a tag usually slapped on stories that rely too much on internal monologue or abstract concepts. But Lee, alongside cinematographer… Read More »Life of Pi (2012) – Cinematography Analysis
Let’s talk District 9. For a professional colorist someone who lives and breathes the visual language of cinema diving into this film isn’t just an analysis; it’s a masterclass in texture. It’s a film that understands that visual style isn’t just… Read More »District 9 (2009) – Cinematography Analysis
While my personal favorite Harry Potter film might lean towards Order of the Phoenix for its emotional beats, I hold a profound, almost reverent respect for Harry Potter and the Prisoner of Azkaban (2004) from a technical standpoint. It is the pivot point of… Read More »Harry Potter and the Prisoner of Azkaban (2004) – Cinematography Analysis
Most superhero movies age like milk, but X-Men: Days of Future Past (2014) is different. Watching it again recently for Color Culture, I realized why. It isn’t just a great superhero flick; it is a masterclass in using cinematography to solve a… Read More »X-Men: Days of Future Past (2014) – Cinematography Analysis
I remember walking into the theater with zero expectations. I’d just seen Oblivion, which looked beautiful but felt sterile. But Edge of Tomorrow (2014) it had grit. It wasn’t just the clever Groundhog Day mechanics; it was the visceral, grounded way it was shot.… Read More »Edge of Tomorrow (2014) – Cinematography Analysis
I’m obsessed with fixing skin tones or balancing exposure, but recently I re-watched Shrek. Twenty-plus years later, I realized something surprising: this movie isn’t just a meme factory; it’s a masterclass in visual storytelling. Shrek was the first-ever Oscar winner for Best… Read More »Shrek (2001) – Cinematography Analysis