Hello, welcome back to Color Culture, I am Salik Waquas and I will be doing a cinematography analysis of the film Bicycle Thieves made in 1948 by Vittorio De Sica. Being a film school student myself, it was the first… Read More »Cinematography Analysis Of Bicycle Thieves (In-Depth)
Hello, and welcome to another guide here on Color Culture. I’m Salik Waquas, the owner of Color Culture, a color grading company. Today, I’ll take you through the process of creating a Digital Cinema Package (DCP) in Adobe Premiere Pro. … Read More »DCP Creation In Adobe Premiere Pro: Easy Guide
Hello and welcome back to Color Culture, where we dive deep into color grading, post-production, and making your workflow easier and more efficient. I’m Salik Waquas, owner of Color Culture, and today I’m going to simplify the process of transcoding… Read More »Transcoding In Davinci Resolve: Simplest Guide
Welcome back to Color Culture, your one-stop destination for color grading services. In this article, I’ll walk you through how to make a Digital Cinema Package (DCP) using DaVinci Resolve. Please note that the DCP creation option is only available… Read More »Making DCP In Davinci Resolve: Ultimate Guide
Hi, welcome back to Color Culture. In this article, we are teaching you how to import media in Baselight. Baselight is a powerful color grading tool used by many industry professionals. One of the essential tasks you need to master… Read More »How to Import Media in Baselight (Easy Guide)
In the world of color grading, a 3×3 matrix is a fundamental tool that works on the red, green, and blue (RGB) channels of an image. It multiplies the RGB color values to create transformations between different color spaces or… Read More »Understanding 3×3 Matrix In Color Grading: Davinci Resolve
Hi, welcome back, everyone! I’m Salik Waquas, the owner of Color Culture, a boutique color grading company that works with clients worldwide to create amazing visual projects. Today, we’re diving into one of the simplest yet most powerful tools in… Read More »Making a Vignette In Davinci Resolve (2 Methods)