Every once in a while, a film comes along that makes all our technical rules feel completely irrelevant. 20 Days in Mariupol (2023) doesn’t care about being “cinematic” in the traditional sense; it’s a film that demands you look at the unvarnished,… Read More »20 Days in Mariupol (2023) – Cinematography Analysis & Stills
When I sit down to analyze Tumbbad (2018), I can’t help but perform a surgical examination of the frame. Frankly, few films have gripped my professional curiosity quite like Tumbbad.This isn’t just another horror flick; it’s a mythical odyssey steeped in… Read More »Tumbbad (2018) – Cinematography Analysis
Some films capture a moment; Free Solo (2018) captures the human spirit when it’s pushed right to the edge of a cliff literally. Alex Honnold’s ascent of El Capitan’s Freerider route is a physical miracle, sure, but for those of us behind… Read More »Free Solo (2018) – Cinematography Analysis
Paul Thomas Anderson’s One Battle After Another (2025) with more than just a casual interest. When you hear “PTA,” “VistaVision,” and “DiCaprio” in the same sentence, you know you aren’t just getting a movie; you’re getting a masterclass in format. The chatter… Read More »One Battle After Another (2025) – Cinematography Analysis
When Bohemian Rhapsody was released, the critical response was polarized. While audiences embraced the celebration of Queen’s music, many critics argued the narrative played it safe, smoothing over the complexities of Freddie Mercury’s life in favor of a “greatest hits” approach. But… Read More »Bohemian Rhapsody (2018) – Cinematography Analysis
Thor: Ragnarok (2017) feels less like a breakdown and more like a conversation. Taika Waititi’s 2017 entry didn’t just shift the tone of the MCU; it broke the mold entirely. At Color Culture, we often talk about how frame and… Read More »Thor: Ragnarok (2017) – Cinematography Analysis
Jim Sheridan’s In the Name of the Father (1993) drama isn’t just a brutal recounting of the Guildford Four scandal; it’s a blueprint for how cinematography and color can do the heavy lifting in storytelling. We all know the stories… Read More »In the Name of the Father (1993) – Cinematography Analysis