Alright, let’s talk about “The Wrestler (2008)” this film hits differently. It’s a gut punch, sure, but visually, it’s a masterclass in stripping away the pretense and getting right to the raw, pulsating heart of a story. Darren Aronofsky’s work… Read More »The Wrestler (2008) – Cinematography Analysis
Looking at the visual language of Marriage Story isn’t just about appreciating a sad movie; it’s about studying discipline. Noah Baumbach’s 2019 film, shot by Robbie Ryan, resists the urge to be flashy. Instead, it uses a specific, rigid visual grammar to… Read More »Marriage Story (2019) – Cinematography Analysis
It takes a lot for a film’s look to genuinely break my brain. But David Lynch’s Mulholland Drive is one of those rare films. It isn’t just a “movie”; it’s a masterclass in using the image to lie to the audience. Most… Read More »Mulholland Drive (2001) – Cinematography Analysis
I live and breathe the visual language of cinema, but rarely does a blockbuster hit me quite like Guardians of the Galaxy Vol. 3. Stepping out of the IMAX marathon, having watched the trilogy back-to-back, I felt a familiar blend of… Read More »Guardians of the Galaxy Vol. 3 (2023) – Cinematography Analysis
Let’s talk E.T. the Extra-Terrestrial. It’s not just about the script; it’s about how every visual decision amplifies the emotional core. E.T. fundamentally defined the “Amblin feel.” It’s a film that resonates with anyone who’s ever felt like an outsider, and the cinematography… Read More »E.T. the Extra-Terrestrial (1982) – Cinematography Analysis
Zack Snyder’s Justice League (2021), I found myself analyzing something else entirely: a director’s uncompromised, messy, and massive vision. ZSJL isn’t just a longer movie; it’s a four-hour artifact that lets us see exactly how a director builds a world when… Read More »Zack Snyder’s Justice League (2021) – Cinematography Analysis
Tim Burton’s Big Fish (2003) is an anomaly in Burton’s career. When it came out, the lack of gothic spirals and pale, brooding anti-heroes confused people. Where was the macabre? Instead, we got a film bathed in Southern sunlight. But looking back,… Read More »Big Fish (2003) – Cinematography Analysis