Lars von Trier’s Dogville (2003) is exactly that a film that burrowed into my consciousness the moment I saw it. It’s polarizing, sure, but for me, it’s a masterclass in how radical visual choices can actually amplify a narrative rather than distract… Read More »Dogville (2003) – Cinematography Analysis
When I watch Young Frankenstein (1974), I’m not just watching one of the greatest comedies ever made; I’m looking at a masterclass in visual subversion. It’s a film that dared to look “old” at a time when Hollywood was obsessed with the… Read More »Young Frankenstein (1974) – Cinematography Analysis
Diving back into Castle in the Sky (1986) isn’t just a trip down memory lane it’s an encounter with a foundational piece of world-building. This is an epic, steampunk dreamscape that blends magic and industry so seamlessly you can truly lose yourself… Read More »Castle in the Sky (1986) – Cinematography Analysis
There are those rare masterworks that resonate because every single frame feels like it was dragged out of a deeper truth. Stuart Rosenberg’s Cool Hand Luke (1967) is exactly that. It’s a classic, sure, and the movie that turned Paul Newman into… Read More »Cool Hand Luke (1967) – Cinematography Analysis
1968’s Planet of the Apes is a total masterclass in this. It’s a stark, heavy piece of science fiction that is every bit as compelling in its visuals as it is in its narrative. Most people remember the iconic twist, but for… Read More »Planet of the Apes (1968) – Cinematography Analysis
Let’s talk about Ip Man (2008), it’s not just for Donnie Yen’s incredible performance or the legendary Wing Chun it’s for how the film is seen. It is a textbook example of visual storytelling, specifically in how it transitions from tranquil domesticity to… Read More »Ip Man (2008) – Cinematography Analysis
Usually, when I analyze a film, I’m looking immediately at the grade or the lens choice. But with Roman Polanski’s 1968 classic Rosemary’s Baby, the cinematography does something insidious: it gaslights you alongside the protagonist. It isn’t just a scary… Read More »Rosemary’s Baby (1968) – Cinematography Analysis