Mr. Nobody. I’ve always been drawn to films that treat the image as more than just a container for the plot. While the internet loves to argue over whether this movie “makes sense” or offers a traditional puzzle-box payoff, I’m… Read More »Mr. Nobody (2009) – Cinematography Analysis & Stills
Denis Villeneuve’s Sicario is different. Lensed by Roger Deakins, it’s a film that lodges itself in your creative consciousness. It’s a masterclass in how cinematography can transcend mere aesthetics to become an oppressive, visceral force. This isn’t just a movie you watch;… Read More »Sicario (2015) – Cinematography Analysis & Stills
When I watch a film like Silver Linings Playbook, I’m looking past the dialogue to see how the image itself speaks. David O. Russell’s 2012 dramedy shouldn’t work on paper it’s a chaotic mix of bipolar disorder, sports obsession, and a… Read More »Silver Linings Playbook (2012) – Cinematography Analysis & Stills
I spend most of my life in a darkened room, pushing pixels and massaging shadows to find the right narrative “soul.” So, when a film like Nuri Bilge Ceylan’s Winter Sleep comes across my radar, it’s more than just a movie. It’s… Read More »Winter Sleep (2014) – Cinematography Analysis & Stills
Every so often, a film comes along that completely rewires your expectations of how a narrative can be told visually. For me, Xavier Dolan’s Mommy (2014) is the benchmark for that kind of “visceral” filmmaking. It’s an undeniable masterpiece, but more importantly,… Read More »Mommy (2014) – Cinematography Analysis & Stills
When I want to look at a film that gets the digital medium exactly right, I always go back to David Fincher’s The Girl with the Dragon Tattoo (2011).People love to compare this to the original Swedish version. Look, the original was… Read More »The Girl with the Dragon Tattoo (2011) – Cinematography Analysis
Nicolas Winding Refn’s Drive back in 2011, it wasn’t just a movie; it was a visceral experience that burrowed its way into my cinematic soul. As a filmmaker and full-time colorist, I often find myself dissecting films, not just for their narratives,… Read More »Drive (2011) – Cinematography Analysis & Stills