When I look at Richard Linklater’s Boyhood, I don’t just see a coming-of-age movie I see a twelve-year logistical anxiety attack. The concept alone is terrifying. Filming a story over a dozen years with the same actors isn’t just a scheduling… Read More »Boyhood (2014) – Cinematography Analysis
Let’s talk E.T. the Extra-Terrestrial. It’s not just about the script; it’s about how every visual decision amplifies the emotional core. E.T. fundamentally defined the “Amblin feel.” It’s a film that resonates with anyone who’s ever felt like an outsider, and the cinematography… Read More »E.T. the Extra-Terrestrial (1982) – Cinematography Analysis
I’ve been grading a lot of digital footage lately, and revisiting The Perks of Being a Wallflower was a refreshing reminder of why I still love the texture of 35mm film. It isn’t just a “coming-of-age” story; it’s a specific visual translation… Read More »The Perks of Being a Wallflower (2012) – Cinematography Analysis
Let’s talk Donnie Darko. You know how some films just stick with you? They burrow into your subconscious and refuse to be fully parsed on a single viewing or even ten. Donnie Darko is absolutely one of those films for me. With Richard… Read More »Donnie Darko (2001) – Cinematography Analysis
Hey everyone, Salik Waquas here from Color Culture. Today, I want to unpack the visual language of a film that—let’s be honest—has become complicated to talk about: Sam Mendes’ 1999 debut, American Beauty. Regardless of how you feel about the narrative… Read More »American Beauty (1999) – Cinematography Analysis