Let’s be honest about Return of the Jedi. It’s the messy sibling of the Original Trilogy. As a filmmaker and the lead colorist at Color Culture, I spend my days staring at waveforms and dissecting images, and Jedi (1983) is a frustrating, fascinating… Read More »Star Wars: Return of the Jedi (1983) – Cinematography Analysis
For a film colorist, watching Avengers: Infinity War isn’t just entertainment; it’s a stress test. When you spend your life staring at scopes and tweaking curves, you understand the sheer logistical nightmare of a project this size. It’s a masterclass in managing… Read More »Avengers: Infinity War (2018) – Cinematography Analysis
Avengers: Endgame isn’t just a movie; it’s a stress test for modern digital cinematography. When you sit down to watch a three-hour finale that has to balance intimate grief with a CGI army of thousands, you stop looking at the plot… Read More »Avengers: Endgame (2019) – Cinematography Analysis