I’m obsessed with fixing skin tones or balancing exposure, but recently I re-watched Shrek. Twenty-plus years later, I realized something surprising: this movie isn’t just a meme factory; it’s a masterclass in visual storytelling. Shrek was the first-ever Oscar winner for Best… Read More »Shrek (2001) – Cinematography Analysis
Watching Network today feels less like watching a “classic” and more like reading a news feed from next week. It’s a darkly comedic satire, sure, but its commentary on news-as-entertainment and the monetization of outrage is chilling. Every time I cue it… Read More »Network (1976) – Cinematography Analysis
Let’s talk Zootopia (2016), Zootopia is different. It’s one of those rare animated features that doesn’t just entertain; it schools you on visual storytelling. It achieves a level of sophistication that rivals high-end live-action productions. It’s the kind of work that feels like a… Read More »Zootopia (2016) – Cinematography Analysis
It takes a lot to pull me out of “analysis mode” and just let me enjoy a film, but Denis Villeneuve’s Blade Runner 2049 managed it. It’s not just a sequel; it’s a benchmark. It’s the kind of movie that reminds… Read More »Blade Runner 2049 (2017) – Cinematography Analysis
Most people remember Dr. Strangelove for Peter Sellers’ legendary triple performance or the dark satire. But as a filmmaker and the owner of Color Culture, I find myself obsessing over something else entirely: the density of the blacks and the geometry of… Read More »Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb- Cinematography Analysis
Hey everyone, Salik Waquas here from Color Culture. Today, I want to unpack the visual language of a film that—let’s be honest—has become complicated to talk about: Sam Mendes’ 1999 debut, American Beauty. Regardless of how you feel about the narrative… Read More »American Beauty (1999) – Cinematography Analysis