Paul Thomas Anderson’s One Battle After Another (2025) with more than just a casual interest. When you hear “PTA,” “VistaVision,” and “DiCaprio” in the same sentence, you know you aren’t just getting a movie; you’re getting a masterclass in format. The chatter… Read More »One Battle After Another (2025) – Cinematography Analysis
The Pursuit of Happyness (2006) doesn’t rely on flashy look-at-me visuals; instead, it uses cinematography to mirror Chris Gardner’s exhaustion. It resonates with me not just for the narrative of resilience, but because the choices made in the camera department… Read More »The Pursuit of Happyness (2006) – Cinematography Analysis
I often find myself revisiting films that don’t just tell a story but embody it in their visual texture. Blood Diamond(2006) is one of those benchmarks. Edward Zwick’s brutal political thriller, set against the backdrop of Sierra Leone’s civil war in… Read More »Blood Diamond (2006) – Cinematography Analysis
Lately, I’ve been spending a lot of time staring at the grain structures of early cinema. It started as a technical curiosity, but it quickly led me back to the foundations the “ur-movies” that established the grammar we take for… Read More »The Kid (1921) – Cinematography Analysis
I spend most of my waking hours at Color Culture staring at waveforms and tweaking curves, so I have a bad habit of ignoring a film’s plot to obsess over the scaffolding beneath. Finding Nemo is one of those films that ruins… Read More »Finding Nemo (2003) – Cinematography Analysis