Let’s talk Zootopia (2016), Zootopia is different. It’s one of those rare animated features that doesn’t just entertain; it schools you on visual storytelling. It achieves a level of sophistication that rivals high-end live-action productions. It’s the kind of work that feels like a… Read More »Zootopia (2016) – Cinematography Analysis
The Pursuit of Happyness (2006) doesn’t rely on flashy look-at-me visuals; instead, it uses cinematography to mirror Chris Gardner’s exhaustion. It resonates with me not just for the narrative of resilience, but because the choices made in the camera department… Read More »The Pursuit of Happyness (2006) – Cinematography Analysis
I often find myself revisiting films that don’t just tell a story but embody it in their visual texture. Blood Diamond(2006) is one of those benchmarks. Edward Zwick’s brutal political thriller, set against the backdrop of Sierra Leone’s civil war in… Read More »Blood Diamond (2006) – Cinematography Analysis
Lately, I’ve been spending a lot of time staring at the grain structures of early cinema. It started as a technical curiosity, but it quickly led me back to the foundations the “ur-movies” that established the grammar we take for… Read More »The Kid (1921) – Cinematography Analysis
I spend most of my waking hours at Color Culture staring at waveforms and tweaking curves, so I have a bad habit of ignoring a film’s plot to obsess over the scaffolding beneath. Finding Nemo is one of those films that ruins… Read More »Finding Nemo (2003) – Cinematography Analysis
Alright, let’s talk about Grave of the Fireflies. As a film colorist, I spend my days dissecting images, analyzing how every hue, shadow, and highlight contributes to the story. But sometimes, a film transcends technical analysis, hitting you on a purely… Read More »Grave of the Fireflies (1988) – Cinematography Analysis