Spike Lee’s Do the Right Thing (1989) is unequivocally one of those films for me. Thirty-five years later, its portrayal of a sweltering summer day where racial tensions reach a boiling point remains disturbingly relevant. It’s a masterclass in how visual language… Read More »Do the Right Thing (1989) – Cinematography Analysis
Ingmar Bergman’s Wild Strawberries (1957) is exactly that. Released in the same insane year as The Seventh Seal, it’s a masterclass in visual psychology. It’s the kind of film that gets under your skin not because of a flashy plot, but because of… Read More »Wild Strawberries (1957) – Cinematography Analysis
Federico Fellini’s 8½ (1963), This isn’t just a movie; it’s a mirror. It’s a swirling, dreamlike exploration of a director’s mind literally unraveling under the pressure of his own reputation. From a visual standpoint, it’s a total masterclass—essentially the Italian Citizen Kane of the… Read More »8½ (1963) – Cinematography Analysis
Andrew Lau and Alan Mak’s 2002 Hong Kong crime epic, Infernal Affairs, is exactly that kind of film. It’s a masterclass in visual storytelling a lean, mean psychological thriller that trades flashy theatrics for a slow-burn emotional resonance. In the West,… Read More »Infernal Affairs (2002) – Cinematography Analysis
Ingmar Bergman’s 1966 masterpiece Persona isn’t just a movie to me; it’s a seismic event. It’s been called the “Mount Everest of Cinema,” and for good reason. For anyone who lives and breathes the language of light and shadow, this film is… Read More »Persona (1966) – Cinematography Analysis
Some movies speak a visual language that survives long after the dialogue fades, and honestly, few do it with the raw, gut-punch power of Franklin J. Schaffner’s Papillon (1973). It’s a film that has lived in the back of my mind… Read More »Papillon (1973) – Cinematography Analysis
Stalker (1979) is famously not an “easy” watch. It’s long, it’s agonizingly slow, and it refuses to give you a straight answer. It asks you to just sit with it and let the atmosphere wash over you. But it’s a revelation because… Read More »Stalker (1979) – Cinematography Analysis