Thor: Ragnarok (2017) feels less like a breakdown and more like a conversation. Taika Waititi’s 2017 entry didn’t just shift the tone of the MCU; it broke the mold entirely. At Color Culture, we often talk about how frame and… Read More »Thor: Ragnarok (2017) – Cinematography Analysis
Revisiting How the Grinch Stole Christmas! (1966) is always a trip. For a colorist and filmmaker, this isn’t just holiday nostalgia; it’s a masterclass in visual aggression and storytelling economy. My office at Color Culture is full of what I call “dark… Read More »How the Grinch Stole Christmas! (1966) – Cinematography Analysis
Mr. Smith Goes to Washington (1939) is one of those films I return to constantly. Frank Capra’s classic isn’t just a political drama or a vehicle for Jimmy Stewart; it’s a blueprint for visual manipulation. It shows us exactly how cinematography… Read More »Mr. Smith Goes to Washington (1939) – Cinematography Analysis
Wim Wenders’ 1984 classic, Paris, Texas reckons with the inescapable truth that, as Confucius said, “Wherever you go, there you are.” For Travis Henderson, this isn’t philosophy; it’s a reality etched into the celluloid. The cinematography actively drives the storytelling, guiding… Read More »Paris, Texas (1984) – Cinematography Analysis
Watching Network today feels less like watching a “classic” and more like reading a news feed from next week. It’s a darkly comedic satire, sure, but its commentary on news-as-entertainment and the monetization of outrage is chilling. Every time I cue it… Read More »Network (1976) – Cinematography Analysis
We spend hours dissecting intention, craft, and the emotional logic that stitches a sequence together. Few films demand this kind of engagement like Adam Elliott’s Mary and Max (2009). On the surface, it’s a whimsical stop-motion piece about an unlikely pen-pal friendship.… Read More »Mary and Max (2009) – Cinematography Analysis
Sometimes a film comes along that reminds me why we do this in the first place. Wild Tales (2014), the Argentine-Spanish anthology, is one of those films. It’s a masterclass in visual storytelling where the cinematography isn’t just aesthetic decoration it is… Read More »Wild Tales (2014) – Cinematography Analysis