Sin City released in 2005, it wasn’t just another comic book adaptation; it was a line in the sand. It declared that cinema didn’t have to apologize for its source material it could just be the source material. From my vantage point,… Read More »Sin City (2005) – Cinematography Analysis
Kill Bill: Vol. 1 was a neon-drenched, blood-soaked spectacle pure adrenaline, a visual homage to anime and Tokyo drift. But Vol. 2? It’s a completely different beast. It’s a Western. It’s slower, more introspective, and it strips away the noise to focus… Read More »Kill Bill: Vol. 2 (2004) – Cinematography Analysis
Let’s be real about Kill Bill: Vol. 1. For those of us who stare at waveforms and vectorscopes all day, this movie is a headache in the best possible way. It’s a visual manifesto that refuses to pick a lane. Quentin… Read More »Kill Bill: Vol. 1 (2003) – Cinematography Analysis