Bowling for Columbine (2002) – Cinematography Analysis
 Bowling for Columbine (2002) when you look at a Michael Moore film, you realize pretty quickly that “pretty” isn’t the point. Moore doesn’t do delicate visual poetry; he uses the camera like a blunt-force tool for investigative journalism. It’s raw,… Read More »Bowling for Columbine (2002) – Cinematography Analysis