Watching Dersu Uzala isn’t a passive experience; for me, it’s a raw immersion into a landscape that feels like it’s trying to swallow the characters whole. I don’t just see Kurosawa’s 1975 masterpiece as a tale of friendship. I see it as… Read More »Dersu Uzala (1975) – Cinematography Analysis & Stills
Throne of Blood. Or, if you want to get specific, Akira Kurosawa’s 1957 masterpiece Spider Web Castle. I’m constantly looking at how a director manages to weave intent into the very grain of the image, and Kurosawa’s work here is as… Read More »Throne of Blood (1957) – Cinematography Analysis & Stills
Akira Kurosawa’s High and Low might look like a standard police procedural on the surface, but if you shut off the dialogue and just watch the light, it reveals itself as a masterclass in visual psychology. While everyone talks about Kurosawa’s samurai… Read More »High and Low (1963) – Cinematography Analysis
It’s not just a historical epic; Ran Japanese for “chaos” is a masterclass in visual tension. While critics often cite Seven Samurai as Kurosawa’s peak, I find myself constantly returning to Ran. The sheer visual ambition is staggering, especially when you consider Kurosawa was… Read More »Ran (1985) – Cinematography Analysis
I’m Salik Waquas, the proud owner of a post-production color grading suite where I’ve spent years perfecting the art of visual storytelling. My journey in cinema has been driven by a passion for extracting emotion and narrative depth from every… Read More »Cinematography Analysis Of Yojimbo (In Depth)
My name is Salik Waquas, and I am a full-time film colorist and filmmaker. I run a post-production suite called Color Culture, where I specialize in crafting visual narratives through the art of color grading. As a cinephile and professional,… Read More »Cinematography Analysis Of Ran (In Depth)
My name is Salik Waquas, and I am a filmmaker and full-time colorist. My passion lies in dissecting the art and craft of cinema to uncover the layers that make each film a visual masterpiece. I own a post-production color… Read More »Cinematography Analysis Of Ikiru (In Depth)