Ghost in the Shell (1995) is exactly that. It’s a film I keep coming back to, not just because it predicted our digital mess of a future, but because the cinematography is an absolute masterclass. Honestly, calling it “animation” feels like… Read More »Ghost in the Shell (1995) – Cinematography Analysis
Few films animated or otherwise dive into the human psyche with such brutal honesty and visual daring. It’s a masterclass in using every tool in the kit to articulate internal states, cosmic dread, and the very messy business of what… Read More »Neon Genesis Evangelion: The End of Evangelion (1997) – Cinematography Analysis
Perfect Blue (1997) hit me like a revelation years ago, long before I formally dedicated myself to the craft of color. It’s a rare blend of Hitchcockian suspense and Kubrickian surrealism, wrapped in an animated package that defies every genre… Read More »Perfect Blue (1997) – Cinematography Analysis