Nicolas Winding Refn’s Drive back in 2011, it wasn’t just a movie; it was a visceral experience that burrowed its way into my cinematic soul. As a filmmaker and full-time colorist, I often find myself dissecting films, not just for their narratives,… Read More »Drive (2011) – Cinematography Analysis & Stills
Skyfall (2012), I’m reminded that it isn’t just a James Bond movie, it’s a masterclass in visual storytelling. It was a pivot point for the franchise, trading the typical spy-flick gloss for a heavy, introspective gravitas that redefined what a blockbuster… Read More »Skyfall (2012) – Cinematography Analysis & Stills
I’ve lost count of how many times I’ve scrubbed through “The Social Network (2010)” at the Color Culture studio. Every time I do, I find something new. Most people call it a “modern classic” because of Aaron Sorkin’s dialogue, but as a… Read More »The Social Network (2010) – Cinematography Analysis & Stills
When I first heard another Batman movie was coming out, I rolled my eyes. We’ve seen the origin story, the gadgets, and the cape so many times that it felt like there was nowhere left to go. But then I… Read More »The Batman (2022) – Cinematography Analysis & Stills
Captain America: Civil War (2016) is a fascinating case study. It’s not your typical “pretty” superhero movie. It’s gritty, it’s arguably a bit “grey,” and it’s incredibly intentional. The Russo Brothers weren’t looking for a comic book aesthetic here; they were… Read More »Captain America: Civil War (2016) – Cinematography Analysis & Stills
The Hobbit: An Unexpected Journey (2012) had the impossible task of living up to The Lord of the Rings. It came out swinging with some incredibly bold and controversial technical gambits. While the pacing might have been a bit much (did we… Read More »The Hobbit: An Unexpected Journey (2012) – Cinematography Analysis & Stills
Every once in a while, a film comes along that makes all our technical rules feel completely irrelevant. 20 Days in Mariupol (2023) doesn’t care about being “cinematic” in the traditional sense; it’s a film that demands you look at the unvarnished,… Read More »20 Days in Mariupol (2023) – Cinematography Analysis & Stills