Hidden Figures (2016) isn’t just a “feel-good” biopic; it’s a masterclass in using the image to elevate a script, and from my perspective, the craft here is doing some heavy lifting that the average viewer might not even consciously notice.… Read More »Hidden Figures (2016) – Cinematography Analysis
The film that delivers the ultimate emotional gut punch through sheer visual artistry is Paul Thomas Anderson’s Boogie Nights (1997). Quentin Tarantino once noted that PTA’s film knowledge “makes me look like an amateur.” He’s right to champion Boogie Nights as a 90s… Read More »Boogie Nights (1997) – Cinematography Analysis
The Breakfast Club (1985) is one of those rare “lightning-in-a-bottle” moments in cinema. You take five kids from different social orbits, stick them in a Saturday detention, and somehow end up with a cultural touchstone. On paper, “five teenagers sitting in… Read More »The Breakfast Club (1985) – Cinematography Analysis
Edward Zwick’s The Last Samurai is one of those rare 2003 epics that hasn’t aged a day. Lensed by John Toll, this isn’t just a “Tom Cruise movie”, it’s a masterstroke in how cinematography can articulate the soul of a culture standing… Read More »The Last Samurai (2003) – Cinematography Analysis & Stills
JFK (1991) isn’t just a movie it’s a three-hour sensory assault. It’s a whirlwind of theories and a relentless chase for some version of the truth. I recently sat down with the Shout Factory 4K restoration, and honestly, it felt like… Read More »JFK (1991) – Cinematography Analysis
Dog Day Afternoon(1975) it’s a film that resonates deeply with me, not just as a narrative of a bank robbery gone spectacularly wrong, but as a clinic in how cinematography specifically the work of DP Victor J. Kemper can elevate… Read More »Dog Day Afternoon (1975) – Cinematography Analysis
The Deer Hunter (1978) directed by Michael Cimino’s epic is exactly that a brutal, beautiful, and exhausting experience. It’s a masterclass in how visual language can carry the emotional weight of a story when dialogue just isn’t enough. It’s a… Read More »The Deer Hunter (1978) – Cinematography Analysis