It’s easy to overlook The Killing in favor of Kubrick’s later, more symmetrical epics, but The Killing is where he truly found his visual legs. It’s a lean, mean heist film that functions with the precision of a ticking bomb. For me,… Read More »The Killing (1956) – Cinematography Analysis
As a filmmaker and colorist, I’ve always been captivated by the power of visual storytelling. My name is Salik Waquas, and I own a post-production color grading suite where I have the privilege of bringing cinematic visions to life. One… Read More »Cinematography Analysis Of Bonnie and Clyde (In Depth)
My name is Salik Waquas, a film colorist with a keen eye for the subtleties and intricacies of cinematography, especially in iconic works like The Godfather Part II, directed by Francis Ford Coppola. As I delved into this analysis, I couldn’t… Read More »Cinematography Analysis Of The Godfather Part II (In- Depth)
Hi, I’m Salik Waquas, a colorist and owner of a post-production color grading suite. Working with visual storytelling tools every day, I find myself continuously drawn to films that push the boundaries of cinematography. Apocalypse Now is one such film—a… Read More »Cinematography Analysis Of Apocalypse Now & Stills