Gattaca is one of those films that stays with you long after the credits roll. Back in 1997, when big-budget sci-fi was starting to chase digital spectacle, Andrew Niccol went the other way. He crafted a cerebral neo-noir that feels more… Read More »Gattaca (1997) – Cinematography Analysis & Stills
Shoplifters (2018), Hirokazu Kore-eda’s Palme d’Or winner. When a film like Shoplifters comes along, I’m not just looking at a beautiful narrative; I’m looking at a masterclass in how visual decisions from the specific glass on the camera to the density of the… Read More »Shoplifters (2018) – Cinematography Analysis & Stills
Spike Lee’s Do the Right Thing (1989) is unequivocally one of those films for me. Thirty-five years later, its portrayal of a sweltering summer day where racial tensions reach a boiling point remains disturbingly relevant. It’s a masterclass in how visual language… Read More »Do the Right Thing (1989) – Cinematography Analysis
Federico Fellini’s 8½ (1963), This isn’t just a movie; it’s a mirror. It’s a swirling, dreamlike exploration of a director’s mind literally unraveling under the pressure of his own reputation. From a visual standpoint, it’s a total masterclass—essentially the Italian Citizen Kane of the… Read More »8½ (1963) – Cinematography Analysis
When Mathieu Kassovitz dropped La Haine in 1995, it landed like a bomb. It wasn’t just a movie; it was a snapshot of a fracture in French society that people were trying to ignore. Shot in stark black and white, it follows… Read More »La haine (1995) – Cinematography Analysis
Guy Ritchie’s Snatch (2000) is a textbook example of how to manage chaos in post-production. As a colorist and filmmaker, I don’t just watch this movie for the dialogue; I watch it to see how the team balanced a visual style that… Read More »Snatch (2000) – Cinematography Analysis
I am Salik Waquas, a film colorist with a deep passion for visual storytelling. Over the years, I’ve had the privilege of working on a variety of projects, ranging from mainstream commercials to feature films. My fascination with cinematography began… Read More »Cinematography Analysis Of Breathless & Stills