It is a film that resonates on two levels: as an elegant exploration of a child’s psyche, and as a piece of visual engineering. While the medium is different, the discipline is the same. The principles of visual language camera,… Read More »Inside Out (2015) – Cinematography Analysis
The Coen brothers have always pushed boundaries, but with Lebowski, they created something that feels almost accidental in its brilliance, yet is technically rigorous at its core. On the surface, it’s a film about “nothing much,” where “stuff just kind of… Read More »The Big Lebowski (1998) – Cinematography Analysis
I’m used to comic book adaptations leaning on spectacle and saturation, but James Mangold and cinematographer John Mathieson went the opposite direction here. They crafted a film that is dusty, exhausted, and incredibly tactile. From the opening shot of Logan… Read More »Logan (2017) – Cinematography Analysis
When you dive into James Cameron’s 1984 original, you aren’t just watching an action movie; you’re watching a masterclass in doing more with less. For me, this is a foundational text. It’s a totally different beast than its sequel, T2, which… Read More »The Terminator (1984) – Cinematography Analysis
This film is different. It hits the ground running. There’s no exposition, no “previously on.” From frame one, you’re on a speeding train. It’s a relentless, urgent ride, and the visual choices are doing the heavy lifting to translate that… Read More »Harry Potter and the Deathly Hallows: Part 2 (2011) – Cinematography Analysis
Few action films have ever landed with such visceral impact or sheer technical brilliance. From the moment the credits rolled, I knew this wasn’t just another action flick; it was a redefinition of the genre. It wasn’t just good; it… Read More »Mad Max: Fury Road (2015) – Cinematography Analysis
It’s a film that dances on the line between glamorous fantasy and grounded reality, much like its protagonist, Frank Abagnale Jr. You know, the guy who, before he could legally buy a beer, was living out multiple professional fantasies: pilot,… Read More »Catch Me If You Can (2002) – Cinematography Analysis