I spend most of my waking hours at Color Culture staring at waveforms and tweaking curves, so I have a bad habit of ignoring a film’s plot to obsess over the scaffolding beneath. Finding Nemo is one of those films that ruins… Read More »Finding Nemo (2003) – Cinematography Analysis
Let’s be real about Kill Bill: Vol. 1. For those of us who stare at waveforms and vectorscopes all day, this movie is a headache in the best possible way. It’s a visual manifesto that refuses to pick a lane. Quentin… Read More »Kill Bill: Vol. 1 (2003) – Cinematography Analysis
I rewatched The Truman Show recently, and honestly? It hits differently now. Spending my days inside a grading suite at Color Culture, staring at waveforms and tweaking curves, I’ve become hyper-aware of how constructed images are. But this movie is the ultimate… Read More »The Truman Show (1998) – Cinematography Analysis
Usually, we look for technical perfection, but sometimes a film comes along that prioritizes texture over cleanliness. Christopher Nolan’s Batman Begins (2005) is exactly that. Before the “Nolanverse” became a massive brand, this film had to do the heavy lifting of erasing the neon-soaked… Read More »Batman Begins (2005) – Cinematography Analysis
As a colorist, I spend most of my waking hours in a dark room staring at high-end displays, tweaking curves, and obsessed with the “emotional logic” of an image. We often talk about color science and DCTLs, but sometimes a… Read More »Harakiri (1962) – Cinematography Analysis
Most submarine movies make the same mistake: they treat the vessel like a stage set. You get the ping of the sonar and the periscope shot, but you never really feel the weight of the water. Das Boot is the exception. It… Read More »Das Boot (1981) – Cinematography Analysis
As the founder of Color Culture, I spend most of my waking hours staring at reference monitors, tweaking curves, and obsessing over signal flows. Usually, I’m dissecting live-action footage, trying to make digital sensors look like organic memory. But when… Read More »Your Name. (2016) – Cinematography Analysis